Tuesday, 7 May 2013

No talking dogs says Petina Gappah

Having attended an event not too long ago where Petina Gappah and Alexander Fuller got together to discuss their writing, well actually for Petina to ask Alexander about her latest book, I was a little tentative about tonights BookCafe Bookclub.  We were discussing Petina's short story collection, An Elegy for Easterly, with Petina herself.

Oooh.


I didn't much enjoy the last event, it felt very staged and I felt very managed and distant in the audience.  Had I projected my disappointments onto Petina herself? But then these are/were two very different events. 

Petina appeared relaxed and happy, a person amongst people, in this small crowd of 20 readers. She seemed to be nursing an ailment of sorts and asked the waiter for a 'hot, hot' glass of water with a whisky and some sugar on the side. Two ginormous spoons of sugar into a small amount of the water and whisky. It is that time of year I guess with the colder months drawing in.

But I digress.

I had only managed to read one short story from the book, In The Heart of the
Golden Triangle, a story about moving up, perhaps a little too quickly, into Harare's wealthier suburbs. A rather harsh but not unbelievable narrative of a set, because they come in three's - Leaticia, Tendai, Bertha - of unhappy women married to wealthy bankers. I can't remember why I read this one. but a strong social comment, something Petina has not been shy of in many of her articles, essays and stories.

Tonights discussion revealed just how broadly read and appreciated Petina's writing is. Our deck of readers had shuffled into them a German couple as well as a Swedish visitor and a few 'groupies' thrown in who came just to see Petina.

The short story, The Annexe Shuffle, resonated with one of our readers, who testified to the reality Petina brought to the story which was based on a lived experience of her own (having loved and lost a subsequent drinking binge saw her sober up whilst in the Annexe and then have to sit out her detention). These little gems sprung up all night. Another story, The Diplomat, was built from an actual experience by a very new and naive Zambian Diplomat Petina had known who was duped by Nigerian fraudsters - you must have had one of those emails.

The story, My cousin-sister Rambanai, also struck a common cord with the group, family members leaving Zimbabwe, coming back, going away again, shades of grey, lost accents, half truths and bold face lies. Then there is the  Mupandawana Dancing champion, a 'What if....' story crafted from a Herald court story about a man dancing himself to death in a year peaking and troughing financially and politically.

And, the very last story, Midnight at the Hotel California, a tale of strange bedfellows and a short history of wheeler dealing in Zimbabwe.

Part of Petina's success is her writing style. She writes mostly in the first person, drawing you close and keeping it real. She deals in realist fiction, telling us "You will never find talking dogs in my stories - even though I am very fond of dogs". She decries the use of a glossary to explain the Shona she uses or the mixed in Shon-glish. She uses a lot. African languages should not be 'exoticised' she insists, nobody routinely puts a glossary for French or German words used in English novels (two other languages she also reads fluently in).


I watch Petina signing books at the end, on the plastic chair in her rolled-up wide legged jeans, a ringmasters coat on with pink glittery swirls on the sleeves and an everyday felt scarf in a slightly different shade of rosy purple. She looked lovely.

She told us she wants to write the particular in a way that is universal; we say yes she does.

Look out for Petina curating the Literacy Programme at HIFA next year- international and local writers- woowoo!

Also, the launch of a short film based on her story 'Something Nice from London' at the National Gallery in July, and of course her debut novel 'Book of Memory' to be published in the UK April 2014 (just in time to discuss it at HIFA).

I cannot think of a better way to meet and interact with authors than through this book club approach.


Sunday, 5 May 2013

We need to re-make a “Place” for our Harare City “Public” Library


A Public Library can be (and in many cases are) powerful spaces for exchange, creation, and development.

At Harare City Library we are focusing in 2013 on renovation and repair. 


So,how does the look and feel affect how the library is used?

The library as brick and mortar is quite often the object of affection. 

People talk about libraries as beautiful and many are: marble-laden breezeways, Corinthian columns, dark-wooden bookcases housing centuries of knowledge. Our own lovely library has an amazing history. A book by one Peter Jackson persists on the shelf of my friend Jacquie Borland. I took a picture of the book cover and two fascinating pictures of what our library used to be before it was knocked down to make way for the new, sometime in the 1960's. Fascinating, arn't they. And quite the awesome structures! Imagine , knocking this down for concrete? 
C'est la vie. 
Beautiful, yes. But are they places to take a class on financial management, to meet with colleagues, or to apply for government services? You certainly don’t see many computers.

Let’s think about creating (or rethinking) the space of the modern library. Which changes would you make to our own public library’s space? Fewer walls? More breakout space? More study space? Mobile services? I have visited the Project for Public Spaces (PPS) website, which is a non-profit that provides planning, design, educational, and organizational services that aim to help “people create and sustain public spaces that build stronger communities.” They say- 
  • There is a relationship between the panning, design and management of a public library and community engagement.  No point in just fawning over the opulence of the world’s most iconic libraries, our library in Harare is indeed an award winner but it needs also to be a space that facilitates a diverse range of activities. Or what’s the point??? The only way that this can really happen effectively, is with input from the community. Engagement begets engagement. GET INVOLVED!
  • Local government and communities must work together to create durable, yet flexible, community spaces. Oh this is so our bug bear! New or revamped library structures are not enough to tackle a city’s most pressing issues.  Our City Fathers must actually put some money where their mouths are (or maybe divert a little from the petrol tanks attached to their large V6 pothole dodging vehicles). At least for running costs, surely. LEADERSHIP BY EXAMPLE IS EVERYTHING!

The real beauty of a library rests in how the community continually reinvents the space.

Why reinvent the wheel, when some clued up specialists at ‘Beyond Access’ have already said it! This blog is adapted from a recent Beyond Access article: beyondaccess.net/blog/2013/04/19/making-place-for-public-libraries/

When Public Libraries and NGOs join forces!

When NGOs realise the role of already existing institutions and structures, partnerships that transform lives can be the result.

Check this NGO/Public Library partnership next door in SA.

Masiphumelele Public Library, South Africa | EIFL

This could be our HCL!

Public Libraries for Youth Empowerment and Employment?

Check this article out. What we can learn from Uganda.

National Library of Uganda, with Lira and Masindi public libraries | EIFL

This could be our HCL!